The one I’ve been waiting for!
Too excited! Must… maintain… composure… in workplace!
I may be a “recovering Star Wars nerd,” but c’mon, man. Cool is cool.
Archive for the ‘starwars’ Category
OMG OMG OMG
Monday, February 12th, 2007
Make that seven
Wednesday, September 20th, 2006Huh. Just 45%? Maybe Ken is Bob lite! After all, I was the founding movie-quotes editor of the Internet Movie Database.
Quoting dialogue from movies and TV shows has been a cherished way of life for me since age 10, when it occurred to me to place my tape recorder in front of the TV and grab the audio from an episode of Happy Days.
(It was the one where Herb Edelman plays a house burglar. He breaks into the Cunningham house but is foiled by Fonzie, who correctly guesses he’s not armed thanks to this bit of “prison poetry”: “He who steals with a gun in his hand / Gets ten years to life in the can.” Jesus, do I really still remember that???)
After that I taped and memorized The Adventure of Sherlock Holmes’ Smarter Brother and a Robert Klein stand-up comedy special on HBO, but that was just preparation for the day I smuggled a tape recorder into a movie theater to grab the audio from Star Wars. I memorized every word, every sound effect, every note of music. For years afterward, where other kids would sing their favorite radio hits, I would recite scenes from Star Wars. (And I must say: being so intimately acquainted with the audio of that film gave me an appreciation for just what an accomplishment it was. The visual effects today are dated, but the audio created for Star Wars has never been equalled — which, come to think of it, makes perfect sense coming from the director of the sonically innovative predecessors THX-1138 and American Graffiti.)
As time went by it became clear that I had an aptitude for remembering quotable dialogue verbatim — that is, without the usual minor lapses in word choice and ordering that usually afflict movie quoters — even without the benefit of tape recorders. I expanded my movie-viewing horizons and amassed a collection of favorite quotes. Eventually I offered to contribute them to the maintainers of the nascent “rec.arts.movies movie database” on Usenet. The quality and quantity of my submissions (and my corrections to quotes they already had) landed me an invitation to join the team — a team that later became the Internet Movie Database company and later still got bought by Amazon.com.
(…to be continued…)
The Star Wars remake project, part 1
Thursday, August 24th, 2006Now that I’m a recovering Star Wars nerd — and have also long since developed the sophistication to comprehend 2001 — I can easily see how 2001 is in many ways the better film, although in some important ways the two aren’t really comparable.
Despite George Lucas’s later claims to the contrary — to wit, that he was designing a mythic archetypal saga — Star Wars was meant first and last to be popcorny escapism. Of course it succeeded wildly, not least of all because of the pop-culture doldrums of the mid-1970’s, and changed the whole movie business, to the extent that rich storytelling and character development became scarce for a long while, sacrificed to spectacle and bombast. It took years for significant amounts of grownup content to return to movie (and TV) screens.
All of which has been said before, but perhaps this is new: the idea to remake Star Wars as a good movie by today’s standards. That means crackling dialogue, emotional beats, character arcs, and even topical relevance.
Topical relevance? You bet. The story of Star Wars is the story of a once-enlightened republic gone corrupt, then brought to its knees by a small, ill-equipped band of guerrilla fighters. Any resemblance to the United States vs. Iraq, Israel vs. Hezbollah, etc. may originally have been incidental but now screams “allegory.” That the heroes of the story are the allegorical equivalent of terrorists (so-called by the superpower; in story and in life they call themselves freedom fighters) will give the remake a slightly subversive agenda. That’s a bonus. Our job will be to make this allegory clear without allowing it to overpower the story.
I say “our job” because I am inviting public participation via the comment feature of this blog. In this installment I am laying out what I consider to be the requirements of the remake. In part 2 I will describe some of the problems with the existing Star Wars that I hope to address in the remake, such as an over-reliance on coincidence and Luke’s passivity. Part 3 will present the backstory. Part 4 will propose character arcs. Part 5 will introduce a story outline, and later parts will develop key scenes. Each post will incorporate any feedback I get from the earlier ones. Maybe one day we’ll actually film the thing. More likely this effort will be squashed like a bug under the legal thumb of Lucasarts. Even more likely is that I’ll lose interest, but we’ll see. Well begun is half done.
Now for the record, let’s take a look at the core of the original movie — those elements we need to keep in order to qualify as a remake and not a ripoff:
A beautiful princess, nominally a functionary of the corrupt government but secretly a rebel spy, obtains some key intelligence. Expecting capture, she entrusts it to an unlikely emissary who is able to escape unsuspected. The emissary is instructed to seek a former military ally but is intercepted by a bored farmboy with dreams of adventure. When he learns a beautiful princess is in peril his desire to leave his dreary home intensifies, but not until (a) he hooks up with the military man and (b) the government destroys his home in a search for the emissary is he moved to act. They seek to convey the emissary (and his intelligence) to officials of the rebellion, but are waylaid into an opportunity to rescue the princess, which they do after many adventures. Finally the intelligence is delivered to the rebellion, which uses it to score an important military victory.
With some modifications, I think this is a fine framework to start from, and Luke is still a good choice for a main character, though we can make him better.
Notice that everyone’s favorite character, Han Solo, is missing. He is not integral to the plot when formulated this way. (Ben Kenobi could have had his own spaceship and not needed to hire a pilot.) I do still expect to need the character — I’ll explain why in a future post — and integrating him into the story better than before is one of the problems with the existing Star Wars that I’ll discuss in the next installment.