Amphibian

[This story, dated 30 June 2013 and recently rediscovered, is another of a few that I wrote for my kids when they were in grade school in the hope of inspiring them to write their own stories.]

I have a secret power. I’ve never told anyone, but in the summer I sometimes like to show it off, just a little. Not enough to freak anyone out, just enough to impress them. When my friends come over to play in our pool, I challenge them to breath-holding contests. One by one they submerge, and one by one they come back up gasping. Twenty seconds. Thirty. Forty-five. Then it’s my turn. I stay down for sixty seconds or seventy. After that people start to get scared, so I don’t stay down any longer than that. But I don’t really have to come up. I can stay down as long as I like. I’m an amphibian.

I know that sounds impossible. I’m obviously a human boy, and everyone knows humans are mammals, and mammals are not amphibians. Some mammals can stay underwater for a very long time, but only because they can hold their breath. I don’t hold my breath, and I don’t breathe the water through gills like a fish. I don’t have gills. But I never feel the need to come up for air. Amphibians can breathe through their skin, and I guess that’s what I do.

Of course when I do my holding-breath trick I make sure to gasp for air when I come up even though I don’t need to. It would be too weird for everyone if I didn’t.

One day a new girl moved into the neighborhood, and to help the new family feel welcome my mom made me invite her over with my friends for a pool party. She didn’t know anyone, and I’m a little ashamed to admit my friends didn’t include her in things as much as they should. Neither did I.

Inevitably my friend Billy insisted we do the breath-holding challenge again. He’s the one who can stay under the longest, besides me, and he always thinks he’ll beat me someday. Maybe one day I’ll let him, but on this day I didn’t plan to. I guess I wanted to show off a little bit for the new girl.

Once more we took turns going under the surface. Once more we compared times as we came up. I stayed under extra long this time, seventy-three seconds. When I came up, I was a little self-conscious about my fake gasp, maybe because of the new girl, and maybe I didn’t quite do it right, because the new girl gave me a curious look. After everyone congratulated me as usual, the new girl blurted out, “Let’s have a long-jump contest.”

That was a new one on all of us. We’d never tried a long-jump contest. But the side of our pool deck was the perfect spot for it, and I had chalk to draw a jumping line, and to mark where everyone landed. One by one we jumped. Some jumps were far, some weren’t. Mine was somewhere in the middle. Poor Billy, who wanted to be best at something, wasn’t best at jumping either.

Then it was the new girl’s turn. Since the rest of us were boys, and boys are stronger than girls, we didn’t expect much from her jump. But she sprang from the ground right at the jump line and sailed right over everyone else’s marks! At the last instant before touching the ground she seemed to… glide a few extra inches, stretching it out, as if she’d stopped falling back to earth for an instant.

There was a lot of wounded pride, and some of my friends tried jumping again to beat her mark, but they couldn’t. It was my turn to give her a curious look.

A short time later the party broke up and everyone went home. I couldn’t stop thinking about the new girl. Had I imagined that extra little float of hers? Had anyone else noticed it? Could she be concealing a secret like mine? I have amphibian powers. Could it be that she’s hiding… bird powers?

I never thought much about girls before, but none of them were ever special before. I want to find out a lot more about the new girl. Maybe we can be friends. Maybe I can tell her my secret.

The cat and the hat

[This story, from 2 June 2012 and just recently rediscovered, is one of a few that I wrote for my kids to model creative writing for them and to whet their appetite for doing it themselves.]

Once upon a time there was an old cat. The cat was so old that he was losing some of the fur on top of his head. “Meow,” thought the cat, which meant, “I wish I had a nice hat to cover my bald spot.”

As it happens, there was a nice hat that the cat’s person sometimes wore. But it was high on a shelf — too high for the old cat to jump.

“Meow,” thought the cat, which meant, “That hat would look great on me. I wish I could reach it.” But try as he might, he couldn’t.

At that very moment, the cat’s old enemy, the mouse, appeared from his hole. “Meow,” thought the cat, which meant, “A nice mousey meal will make me feel better.” The cat pounced at the mouse, but being so old, his pounce was very slow, and the mouse had plenty of time to disappear back into his hole. “Meow!” shouted the cat in frustration, which meant, “Not only am I going bald, but I can’t even catch a mouse anymore!”

The mouse heard the cat’s “Meow” and understood it (because at mouse school they teach cat language for self-defense). Even though the cat had been trying to eat him for years, the mouse felt bad for him. Then the mouse had an idea. Maybe he could cheer up the cat. Maybe then the cat would stop chasing him!

“Squeak!” said the mouse from his hole, which meant, “If you’ll promise to stop trying to eat me, I’ll help you get that hat.”

The cat (who understood mouse language thanks to an after-school mouse-language class he once took) laughed and said, “Meow!” meaning, “If I, a cat, who’s an expert at jumping and climbing, can’t get that hat, how can a mouse possibly get it?”

The mouse poked his head out of his hole. “Squeak,” he said, which meant, “Oh I can get it, alright.” He added, “Squeak?” meaning, “Do we have a deal?”

“Meow,” the cat nodded skeptically.

The mouse disappeared back inside his hole. For a moment, the cat heard nothing; but then there came the sound of tiny mouse feet marching up through old tunnels he’d dug in the walls over the years. Then silence again for a moment; and then to the cat’s astonishment, a tiny hole appeared in the wall just above the shelf, right behind the hat. A moment later the mouse’s nose appeared through the hole, and as his tiny claws dug the hole wider, the rest of the mouse emerged.

“Squeak,” called the mouse from high above the cat, meaning, “We have a deal, right?”

“Meow,” agreed the cat admiringly. So the mouse gave the hat a push and down it tumbled from the shelf — right onto the old cat’s head.

The mouse re-entered the wall, scampered down his tunnels, and came back out through the hole near the floor. “Squeak,” he said to the cat, meaning, “That hat looks nice on you.  You should go look in a mirror.”

The cat went to a nearby mirror and took a look at himself. “Meow,” thought the cat, meaning, “I look years younger! I’ll bet I could catch that mouse now!” And with one quick pounce, the mouse was trapped beneath his paws!

“SQUEAK!” said the mouse, meaning, “HEY! WE HAD A DEAL!”

The cat brought his face closer to the trapped mouse. Terrified, the mouse watched the cat’s mouth open and thought, “Squeak,” meaning, “This is the end.”

And then the cat poked out his tongue to give the mouse a grateful kiss.

“Meow,” said the cat, and meant it.

Decade done

Another year, another silent prayer that next year’s social-media utterances are less fraught and more fun. (Previously.)

  • [A friend made a “time to make the donuts” post.]

    “Time to make the donuts” is my first waking thought most days.

    The weird thing is, a different Facebook friend made a “time to make the donuts” comment (to which I made the same reply) a year ago, as one of the very first posts of 2018.

    So a new year is now “time to make a time to make the donuts” post.

  • Continue reading “Decade done”

All for nothing?

See Star Wars: The Rise of Skywalker in 3D. When it begins, and the title and opening crawl recede into the the starry backdrop, the depth effect is amazing. It is the best part of the movie.

The second best part of the movie is five seconds near the very end: a wordless look that passes between Oscar Isaac’s Poe Dameron and another character. You’ll know it when you see it. That Oscar Isaac — he can do more with a look than the rest of the movie can do with $XX million in special effects. It’s worth the price of admission.

The third best part of the movie is the subversiveness of casting Keri Russell, a famously beautiful woman, as a character whose face we don’t even see.

The fourth best part of the movie is that they never mention midichlorians.

The fifth best part of the movie is that John Williams gets a blink-and-you’ll-miss-it on-screen cameo.

The sixth best part of the movie came after it ended. As my wife and I drove home, there was a long stretch of baffled silence while we separately mulled over what we had both just seen, and she suddenly exclaimed, “What?!” in a way that caused us both to laugh and laugh and laugh.

The relationship of The Rise of Skywalker to Star Wars is the same as that of the modern-day Church to the original teachings of Jesus: the result of generations of people with opinions and ambition troweling layers of ponderous meaning and import on top of something that once was compact and simple and wonderful.

Clausa nostra

A cynic might point out that this actually is something like how Christmas works. Good thing I’m not a cynic.

You better not talk
You better not squeal
You better pay up
‘Cause this is the deal:
Santa Claus is shaking you down

He tells you that toys
Don’t pay for themselves
While over your shoulders
Stand two burly elves
Santa Claus is shaking you down

He sounds all buddy-buddy
He calls you by your name
If something happened to your house
He says that would be a shame

“Now don’t make me leave
A lump of cold lead.”
“Don’t you mean coal?”
“You heard what I said.”
Santa Claus is shaking you down

(Previously.)

Spider bin

[It’s the rainy season and time to cover up our patio furniture.]

Spider bin! Spider bin!
The bin we keep our outside-stuff in
Need a tarp, any size
I reach in, a thousand eyes
Look out! Out from the spider bin

Is it gross? Listen, dude
Zillions of babies in every brood
Can they jump on your face?
They can jump almost any place
Hey there, they’re in the spider bin

When I let in light
And I cause them alarm
With the speed of fright
They dash right up my arm

Spider bin! Spider bin!
Arachnophobes, do not look within
Put on gloves, tiptoe toward
Lift the lid, greet the horde
To them, our stuff is one big hangout
Where they can let their fangs out
We’ve got a spider bin!

RMS, titanic

One afternoon in 1996, as I worked with my partners at our software startup, the phone rang. I answered it, and a voice on the other end said, “Richard Stallman?”

This was disorienting. Richard Stallman was the legendary technologist who had created the Free Software Foundation, dedicated to freedom from corporate and government control for those who program computers and those who use them. He founded the GNU project, dedicated to creating an alternative to the Unix operating system unencumbered by patents and copyrights. He was famously ensconced in an office at MIT, not a house in a northern California suburb doubling as office space for our startup. Why would someone call us looking for him, there?

Or did the caller think I was Stallman??

The moment was even more baffling because I was then at work (as a side project) on a book about Stallman’s other great creation, Emacs, the text editor beloved by programmers. So there wasn’t no connection between me and Stallman. But he wasn’t involved in my writing project; he had merely invented the thing it was about. That was a pretty slender thread. How do you get from that to expecting to find the great man himself in our humble headquarters?

Three years earlier I did work briefly with Stallman, after a fashion. The GNU project was releasing a new file-compression tool called gzip. Stallman wanted files compressed by gzip to have names ending with “.z”. In an e-mail debate with him, I argued that this would make them too easy to confuse with files created by “compress,” a predecessor to gzip, which used a “.Z” filename suffix. The distinction between uppercase “.Z” and lowercase “.z” would be lost if those files were ever stored on, or passed along by, an MS-DOS computer, which permitted only monocase filenames. Stallman, in his typical mulish way, refused to allow any consideration of how Microsoft software behaves to influence what the GNU project should do. But I was insistent, not least because I believed that the potential for confusion would harm the reputation of the GNU project, and I wanted GNU to succeed. I was on Stallman’s side! I was joined in my opinion by a couple of others on that thread. In the end Stallman relented, and as a result gzip used (and still uses) the filename suffix “.gz”.

This was a rare concession from a man whose primary goal with the Free Software Foundation was the repudiation, on principle, of the entire edifice of intellectual property law. The creation of actually useful software was only ever secondary to that goal.1 To the extent that Microsoft owed its existence to intellectual-property plunder, Stallman would have seen it as a moral obligation not to allow it to affect the design of GNU gzip.

Stallman was never one to allow pragmatism to overcome principle, an outlook that extended far beyond his professional pursuits and into all aspects of his public persona, with results often off-putting and occasionally problematic. In principle, why should anyone object to an impromptu solo folk dance in the middle of a fancy restaurant (as recounted in Steven Levy’s recent Wired article)? No one should, of course — in principle. In practice, most of us would agree there are good reasons to keep your spontaneous folk-dancing inhibitions in place. But Stallman is not most of us. In principle, it’s merely being intellectually honest to engage in a little devil’s-advocate hypothesizing on the Jeffery Epstein scandal, and how Stallman’s colleague Marvin Minsky might have been involved. In practice, for a prominent public figure — one with authority over others — to do so at this moment, and in that way, betrays at best a cluelessness that’s just this side of criminal. It’s what forced Stallman to resign recently from the organization he’s led for over three decades.

But in 1996, when the phone rang at my startup, Stallman was, to me and my colleagues, simply a legendary hero hacker and fighter against oppression. When I said, “Hello?” and the voice on the other end said, “Richard Stallman?” the effect on me wouldn’t have been too different if it had said, “Batman?”

I stammered something along the lines of, sorry, this is Zanshin, in California; Richard Stallman works at the Massachusetts Institute of Technology. The voice said, “No, this is Richard Stallman.” What I had taken for a question mark was really a period. (Or possibly an exclamation point.)

In principle, it makes perfect sense to shorten, “Hello, this is Richard Stallman” to “Richard Stallman.” Those four other syllables seem superfluous; might as well save the effort it takes to utter them. In practice, of course, it is decidedly odd when placing a phone call simply to declare your own identity and expect your intention to be understood, especially when you leave off anything like, “May I speak to Bob Glickstein please?”

Stallman was calling me, it turns out, because of the book I was writing. He wanted to know if I would consent to giving the book away for free. (A few years later Stallman would put the same pressure on his biographer, Sam Williams, as recounted in the Salon.com review of Williams’ book.) I said that I was not unsympathetic to his request — after all, Emacs, the topic of my book and the output of many programmer-hours of labor, was distributed for free by the FSF. But how could I consent, when my publisher had production and marketing costs to recover? What about the value of all the time I had invested, couldn’t I reasonably expect some compensation for that, especially since I was not yet drawing any salary from my startup? I additionally thought, but did not say out loud, that unlike Stallman himself I had not earned a MacArthur genius grant to fund my writing and programming whims.

Stallman had no answer for the questions I posed, other than to reiterate a few times his certainty that the book should by rights be free. We ended our call, and (as it turned out) our professional association, at a stalemate on this topic.

As with the gzip episode, I was nominally on Stallman’s side. I would have given serious consideration to his request if he could have compromised somehow, or if he could have spoken about the prospects for earning revenue from a product even when it’s given away for free, or, hell, if he could simply have articulated some understanding of or sympathy for the objections I raised. But he was doctrinaire. The principle was the one and only consideration for him.

The paradox of Richard Stallman is that this single-mindedness made him remarkable and allowed him to achieve remarkable things; but his disregard for pragmatism in favor of an insistence on principle cost him the goal of freely distributing my book, on this occasion — and, on another occasion twenty-odd years later, also cost him his career.

  1. Ironically it’s that secondary goal at which the FSF has been more successful by far (despite the many who have rallied to Stallman’s anti-copyright banner — myself included, with varying degrees of conviction over the years). Intellectual property law is as constraining to individuals and organizations as ever. But you and I and everyone we know and, not to put too fine a point on it, our entire modern information economy, depend daily on infrastructural software created by the FSF. []

Just got it, part 4

I saw Dead Men Don’t Wear Plaid when it came out in 1982. In it, Steve Martin, as a 1940’s-era film noir private eye, is cleverly intercut with scenes from actual film noir classics from the 30’s, 40’s, and 50’s.

At one point he visits Burt Lancaster in a scene from The Killers and finds him apparently hungover, so offers to make him a cup of his “famous java.” He goes to the kitchen, gets a saucepan, and shakes coffee grounds into it from a bag. He shakes and shakes and shakes and shakes and it goes on so long it becomes hilarious.

Finally he tosses in two whole eggs, breaking them open with a fork and stirring them into the coffee grounds, shells and all.

I always thought that the eggs were a bizarre little comic button on the coffee-making sequence. He stirs whole eggs into coffee grounds, haha, the weirdo! But as I learned just recently, this is in fact a common practice in some places.

What’s more, this is often referred to as “Swedish coffee,” and Burt Lancaster’s character in The Killers is “Swede Anderson.” I get it now!

(Previously.)

I am not a shady Internet cigarette affiliate

If you’ve ever read a post on this blog and wondered why occurrences of the word “cigarette” were linked to a shady (now defunct) online cigarette store called Cigazilla, the answer is this blog was hacked. It happened some time between 2012 (when the most recent Wayback Machine snapshots show no Cigazilla links) and 2015 (when the earliest backup I still have shows Cigazilla links embedded in the text). I suspect some unpatched WordPress exploit, or an exploit in one of the few WordPress plugins I use, allowed this to happen.

Please let me know if you see anything else on the site that looks like it doesn’t belong.