Say it ain’t so, Walt

It seems the Disney theme parks are collecting visitors’ fingerprints and being unclear about the uses to which they plan to put them.

For someone who’s sensitive to privacy issues, this news is a clear catastrophe, but to everyday folk the problem may not be so obvious. Cory Doctorow nails it when he writes,

Now that our national immune system has begun to attack us in a terrible anaphylactic spasm — indiscriminate NSA wiretaps, meaningless TSA security theater, secret aviation rules and no-fly lists, “free speech zones,” suspension of habeas corpus and all the rest — it’s absolutely irresponsible to gather this kind of information and leave it where the savage toddlers of the national security apparat might find it and wreak havoc with it.

For me, the worst part of this is that it conditions us to get used to being treated like crooks.

This news comes at a time when Andrea and I are feeling a mounting urge to visit Disneyland. Not only do we have vouchers for free search airline tickets that expire on October 31st; not only would we get to see new-family-member Pamela and celebrity-friend Eli; but we haven’t been to a Disney property in three years, which is a long time for us; and Jonah, who was one and a half then, is one up on Archer, who’s never been!

Yet Disney keeps giving us reasons to stay away. The fingerprint news comes on the heels of this:

New ABC Docudrama Blames Clinton For 9/11, Praises Bush

On September 10 and 11, ABC will air a “docudrama” called “The Path to 9/11.” It was written by Cyrus Nowrasteh, who […] is giving interviews to hard-right sites like FrontPageMag to promote the film.

ABC is owned by Disney.

What to do? Hell, we were married at Disneyworld! We were at California Adventure on opening day! (We were two of the few.) The very first thing I ever gave to Andrea was a little Thumper doll! Might as well face it: we’re Disney freaks. Stay away from Disneyland? Stay away from the “Pirates of the Caribbean” ride just when Jonah’s and Archer’s interest in pirates is peaking?

In an earlier time I might have threatened to disconnect my cable TV instead. But that trigger can only be pulled once. If I want to punish ABC and Disney for these errors in judgment — and I do — about the only good option left is to vote with my wallet and boycott the company.

Or — here’s an idea — I can write a blog post convincing a bunch of you Gentle Readers to boycott Disney yourselves… so Andrea and I can feel better about it when some latex-gloved Disney gate attendant swabs our cheeks to match the DNA on our Park Hopper passes.

Turn off, tune out, drop in

In January of last year I sent a letter to Comcast, my cable TV provider, complaining about the removal from my “premium” cable service of five premium channels. (The letter is reproduced at the end of this post.) I received an unsatisfactory reply. It was the last in a string of insults, from exorbitant monthly fees (in excess of $100) to crappy image quality full of digital compression artifacts.

Compounding my cable TV complaints was the fact that I seldom actually got to watch anything. Having two small kids and a long daily commute while both parents (try to) work full time has that effect. When I did get some time to watch TV, I worked through a gigantic TiVo backlog. The Sopranos and Shield episodes that I watched were more than a year old when I finally watched them.

Which got me thinking: if I don’t watch things until they’re stale anyway, why do I even need cable TV? All the movies I could want to see, and most of the good TV shows, get released on DVD sooner or later; and a Netflix membership costs about one-eighth the combined total of Comcast “Digital Platinum” and TiVo.

It was an obvious decision to make, but I dragged my feet for a long time. Except for a pauper year or two in college, I’d had cable TV almost continually since 1976. I’m also a considerable movie buff. Give up cable, just like that? What would I do when I feel the urge to channel-surf at 12:30am? And what about dumb little guilty pleasures like Unwrapped which, even if it is ever available on DVD, I knew would never rise to the top of my Netflix queue?

Though it took another eight months, and Andrea doubted I’d ever actually go through with it, in the end simple economics won out, and we’ve now been cable-free for almost a year. At the beginning it was hard, as with kicking any habit, but only very briefly. In a year, the only time I’ve really missed having cable was for the Superbowl. Meanwhile, thanks to Netflix, I’ve recently watched entire seasons of Deadwood, Veronica Mars, and I Dream of Jeannie; and movies such as Munich, King Kong, Wedding Crashers, MirrorMask, and much more. There’s no live sports and there’s no channel surfing; and while you might linger guiltily on the latest Emanuelle movie on Skinemax when channel-flipping, you’re not very likely to bother actually renting it. But in all other respects it’s as good as cable. Better, in a lot of ways, because there are no commercials and no wading through junk you don’t want to see.

Now that we’re off the pop-culture grid, as it were, it’s strange to see it from the outside. It’s a tinfoil-hat cliché, easily dismissed, to say that the establishment controls the populace through television. Anyone with a little media savvy can recognize TV’s propaganda and soothing pap for what they are and claim to be immune, or at least aware. But having stepped out of that stream I’m astonished at just what a blatant barrage of never-ending manipulation TV really is. Savvy or not, you can’t fully appreciate it while you’re in it. Even though I seldom watched anything but the best-quality movies and TV shows, the barrage still seeped in through the cracks: the commercials, the network “bumpers,” the pop-ups in the corners and margins of the screen, the glimpses of other programs. And while it is easy to recognize and dismiss the obvious propaganda and pap, there are a thousand more subtle ways in which your consent is being manufactured. I don’t mean to allege a vast mind-control conspiracy; it just seems to be what you get when you organize government, commerce, and mass media the way we have.

So don’t kill your TV, exactly, but do take total control of what you see on it. Cancel your cable. Keep your money. It may seem right now like you can’t live without it (“How can one insulated wire bring so much happiness?” –Homer Simpson), but if you make it to the other side I promise you’ll wonder what took you so long.

And now that I’ve written that, if we lose the fight for net neutrality, the telecoms may arrange for this blog post to disappear into /dev/null.


Here is the letter I sent to Comcast early last year.

I’m a subscriber to Comcast Digital Cable at the “Platinum” level of service, which includes all premium channels. Recently I learned that five of those channels have been removed from my lineup. They were:

  • Encore True Stories East (527)
  • Encore Action East (529)
  • More MAX East (564)
  • Showtime Extreme East (581)
  • The Movie Channel Xtra East (592)

Previously I had 49 premium movie channels, now I have 44, so this was a 10.2% reduction in service.

When I called Comcast Customer Service to complain, you tried to persuade me that this is not a reduction in service at all. Each of the removed channels, you explained, is the east coast feed of another channel whose west coast feed I still receive — the same programs, shifted by three hours.

But that argument is not valid. At this moment, for example, Encore True Stories East is showing Quiz Show, while Encore True Stories West is showing Gangs of New York. If I sat down at the TV right now and I still received both channels, I could choose to watch either one; but now I can only watch Gangs of New York. My choices are therefore fewer than before. Yes, I could choose to wait three hours and watch Quiz Show on the west coast feed, but by then I may be sleeping, or busy, or watching something else.

You also explained that the channels were removed to make room for others, such as the DIY network and WGN. But these are not premium movie channels and no one can argue they are comparable in value to the channels they supposedly replaced.

Comcast has the right to choose what channels to include in its service. But if you remove channels that I’ve been paying for, then you must also reduce the rate you charge me.

My channel lineup continues to include both the east and west coast feeds of some premium movie channels, such as HBO. But if it’s Comcast’s policy that one feed is equal to two, I’m concerned that there may be further uncompensated service reductions in the future.

Finally, I’ve just learned that the cost of Comcast’s “Platinum” service is about to go up by three dollars per month, or about 6%. Previously I was paying about $1.04 per channel for my premium movie channels. Now, between the service reduction and the rate increase, I’ll be paying $1.23, effectively an 18% increase.

I insist that Comcast restore my lost service or reduce my rates proportionately.

The best band you never heard of

I have no experience as a music critic and in fact I’ve seldom seen anything written by professional music critics to make me believe it’s possible to convey, with words, anything substantive about musical performances. I’m going to press on, though, because there’s an unknown band out there that you absolutely must hear about. I know, everyone’s got their own favorite bands no one ever heard of, but this is my blog, so today we’ll be talking about Splashdown.

The bad news about Splashdown is that it existed for only a few years, producing only about thirty songs, and disbanded in 2001. The good news is that the songs are nearly all terrific. The better news is that each song is unique. And the best news is that the entire catalogue is available for free download (here, here, and elsewhere).

Like a lot of Splashdown fans, I was first turned onto them by the inclusion of “Karma Slave” in the Titan A.E. soundtrack. For a while it was the only Splashdown song I knew of, and until I found more songs and info about the band, I listened to my copy of Karma Slave obsessively. It showcases all the best aspects of the band: unusual harmonies with a Near Eastern influence; complex but driving rhythms; intelligent and evocative lyrics; richly layered guitar and synth instrumentation; and above all the strong, agile, and vaguely pissed-off sounding vocals of Melissa Kaplan.

I’m a slave of karma
Spin the wheel and I’m a king reborn
I’m a slave of karma, I’m coming back
Yeah, I’ll be coming back
But for the last time

The angry edge in Kaplan’s voice — often submerged, but never completely — is more pronounced in “A Charming Spell,” another of Splashdown’s best. Its lyrics paint a spooky, authentic picture of witchcraft.

Tie a knife with a ribbon
With a red, red ribbon
Raise a hand-held mirror
To the light of the moon
With a secret garden
And a heart unhardened
Strike a spectre’s bargain
With a ritual brew

Halfworld” is a song so melodically interesting that there is also an instrumental-only version that’s great for karaoke.

Is nightshade a food or a poison?
Do you follow my reason?
Is reason important?

As I wrote above, each song is unique in the sense that it is unlike anything I’ve heard from other bands, and also in the sense that it’s distinct from the other songs in Splashdown’s catalogue. The snarky fun of “Procreation Chick” (“Don’t you think you’re the shit?”) is the only one like that from Splashdown; then it’s on to a bittersweet childhood reminiscence in “Elvis Sunday” (“Guess I’m still kickin’ and cryin’ when it comes to goodbye”) — again the only one of its kind among Splashdown’s songs, which is good because it leaves room for the woman-scorned roar of “Ironspy” (“Someone stop my hands from shaking”) and the playful eroticism of “Waterbead” (“See her flowering / With seeds of possibility / Inside his imaginings”).

There are two instances of repetition in the Splashdown catalogue (plus a variety of remixes of a few songs): “The Archer” quotes their earlier song, “Pandora.”

I do, I do, I do, I do, I
I feel so elated
Would you, would you, would you, would you
Please bring me joy

And “Games You Play” is an expanded version of their earlier song, “Paradox.”

If your past approaches you preaching comfort
Don’t be fooled into a war you’ll lose

I could write a little something about every Splashdown song, but there’s little point in continuing when you can get them all, for free, right now, and convince yourself that Splashdown is the best band you never heard of — and then go find someone else to convince.

Of course it goes without saying that the best band you have heard of is They Might Be Giants.

The more things change, the more he stays the same

Salon.com’s “War Room” blog today quotes Donald Rumsfeld as saying, among other things,

We are truly fortunate to have a leader of resolve at a time of war. Through all the challenges, he remains the same man who stood atop the rubble of lower Manhattan, with a bullhorn, vowing to fight back.

…which, apart from being a wackily facile thing to say, reminds me of one of my favorite Homer Simpsonisms:

I haven’t changed at all since high school, and suddenly I’m uncool?!

Bloodletter of the Law

Early 2005 wasn’t that long ago, but in terms of U.S. politics it seems like an eternity. At that time Bush was still untouchable, the GOP was still a monolith of arrogance, and the Democrats were still searching for their asses with both hands and a flashlight. Now the Democrats are taking the offensive more and more, the GOP is scattering like roaches before the light of awakening public opinion, and Bush has been revealed as a scared little bunny rabbit. But just eighteen or so months ago it was nigh impossible to imagine these things coming to pass without being called delusional (at best; more likely, a traitor).

It was at that time that I dreamed up a story that never got past the outline stage. The story began eighteen months in the future — August 2006. Considering that that’s right now, I thought this might be a nice time to publish my abandoned story outline, whose too-clever working title is, “Bloodletter of the Law.”

  • August 2006: While Bush clears brush on vacation in Crawford, numerous senior political operatives are seen coming and going. The liberal blogosphere gets jittery about the new schemes it imagines being cooked up at this summit meeting.
  • Late August: Conservative pundits on talkshows and in other media begin to float the idea of a third Bush term.
  • Democrats are predictably outraged, pointing to the constitutional limit on presidential terms and linking the third-term idea to other instances of Bush flouting inconvenient laws.
  • White House Press Secretary Scott McClellan paints the Democratic response as typically hysterical and shrill. “The President has not announced any plans to seek a third term. The White House is not responsible for the speculations that private citizens make on talk shows or elsewhere.”
  • For a few weeks, newsmagazines are full of articles about the history of the presidential term limit and minutiae of related laws. Franklin Roosevelt’s four consecutive elections are held up for inspection. A talking point emerges that, for those who believe it is necessary to “balance” or roll back the “damage” of the FDR era, three or more Bush terms would not be inappropriate.
  • Early October: Bush announces his plans to seek a third term.
  • The left goes apeshit.
  • Public sentiment is with the side not going apeshit. McClellan calmly clarifies that the Constitution only prohibits being elected to a third term, not campaigning for one. “Technically, if the President wins in 2008, the Constitution would not allow him to take office.”
  • Conservative pundits everywhere finish the thought for McClellan: if Bush wins in 2008, it would be un-American to prevent his taking office and fulfilling the expressed will of the electorate.
  • November: Bush’s announcement having emboldened Republicans and sent Democrats running for the hills, the GOP wins easy victories in the 2006 midterm elections, increasing its margin in Congress.
  • January 2007: Bush’s announcement has cleared the field of other Republican presidential hopefuls.
  • Bill Clinton announces, “I too will seek a third term.” On the left, there is much rejoicing, but not by…
  • Hillary Clinton, whose own presidential campaign is well underway. This new strife in their famously troubled marriage is dissected ad nauseam in the press.
  • A rift forms in the Democratic party between Bill supporters and Hillary supporters.
  • In an attempt to mend the fence, Bill backpedals, explaining that his so-called “run” for a third time was nothing more than a rhetorical device to counter Bush. This is seen akin to “I didn’t inhale” and “what the definition of is is.” Meanwhile, did Hillary know Bill was only kidding? Should she have? The Clintons are ruined, the Democratic party is decimated.
  • November 2008: Bush coasts to an easy electoral victory, although there are numerous reports of voting irregularities.
  • Immediately, those few states that refused to put Bush on the ballot sue to invalidate the election. The case is expedited to the Supreme Court, this time packed with even more Bush partisans…

Having written that, I find it interesting that, just a week or so ago, the news media made a big deal out of one Bush booster’s comment that Bush deserved a third term. I find it even more interesting that he turned out to be a shill

Vaster, pussycat

A favorite saying among many of the folks I know is that “the web is vast.” Whenever we find a discursive answer to an obscure question in two seconds flat, or a dimly remembered ad jingle from childhood, or a mint-in-box Steve Austin with bionic eye, we say it: “The web is vast.” Yet sometimes it’s not vast enough, in surprising ways.

Take, for instance, my post of 22 August, in which I described remembering different lyrics to a Gilbert and Sullivan tune than the ones I found in the libretto online:

A perfectly sensible alternate lyric, but apparently manufactured out of thin air by my brain, as near as I can tell (viz., via Google search). I understand how misheard lyrics can become engraved in one’s memory, but this is a different kind of error altogether. How on earth could I have made it?

Since writing that, I recollected another difference between the version I remember from twenty-odd years ago, and the version I’ve watched, read, and listened to lately with my kids. In the song, “I Am the Very Model of a Modern Major-General,” General Stanley “now” sings,

In fact when I know what is meant by mamelon and ravelin
When I can tell at sight a Mauser rifle from a javelin

…but I remember “chassepot rifle” instead of “Mauser rifle.” Twenty-odd years ago, “chassepot” sent me to the dictionary. To date it’s the one and only context in which I’ve seen that word. Having just now confirmed its existence and its meaning, I am certain I cannot be confusing my memory of that word with any other possible source. Furthermore, I’ve found other online mentions of “chassepot” in Pirates of Penzance. And yet there’s no trace of it in the written or recorded versions I’ve been enjoying lately.

Which leads me to the disturbing conclusion that there is an alternate version of the libretto of which the Internet has almost no record whatever — a version I must have seen in my high school or college library and have now all but forgotten, save for these tiny differences. If I were to track down that version now I’m sure I would find my “no hint at all reveal” lyric in it. But the point is I can’t track it down online.

A cautionary tale for armchair researchers everywhere.

Disaster

My kids love their pediatrician, Dr. Harris. They are almost as excited to go see him as they are to go to Train Town. They are excited merely to drive past his office. “That’s my Dr. Harris!” Archer exclaims, pointing through the car window. They love him so much that they put on their bravest face when getting painful vaccinations. Archer, age 2, even thanked the nurse after his last one.

Of course Andrea and I love him too. We first met him when he delivered a lecture to the parenting class we took, back when Andrea was pregnant with Jonah. The best advice we got in that whole class came from his lecture: namely, that it’s pointless to obsess over the birth, which after all is just a day out of your life, more or less. Possibly a difficult one, but one when you’re surrounded by a team of professionals. All you really have to do is show up. No, said Dr. Harris, the right thing to obsess about during pregnancy is every day for the rest of your life after the birth, when the development and well-being of a whole new person is your sole responsibility.

Now the disaster: Dr. Harris’ practice, Mill Valley Pediatrics, is about to close. He and one of his partners will be joining the HMO, Kaiser Permanente.

This follows a string of medical retirements and closures that Andrea and I have suffered through in the past 10 or 15 years. First my GP, Dr. Cumming, got out of the biz, although she was yet a young woman. I switched to another doctor at the same practice, but within a couple of years the entire practice folded, scattering to the four winds some eight or ten doctors in all and probably thousands of patients. (My medical records from that practice are still in limbo.)

Halfway through Andrea’s second pregnancy, her OB/GYN, Dr. Toton, who’d delivered Jonah, retired. More recently, my new GP‘s partner, Dr. Cummings (not to be confused with Dr. Cumming above), has had to institute new limitations on her practice. And now this.

I don’t know the reasons for all these events (well, Dr. Toton was of traditional retirement age), but the Marin Independent Journal blames tight-fisted insurance companies for the demise of Mill Valley Pediatrics. Dr. Cummings’ new rules appear designed to improve her bottom line. And shortly before Dr. Cumming retired (back in the days of Hillary Clinton’s abortive health-care reform effort), she once complained to me of the byzantine rules and payment mechanisms of the American health care industry.

We will make every effort to continue seeing Dr. Harris even though we are not Kaiser members. And from now on we will be voting against the health-insurance industry and in favor of anyone with the balls to set up single-payer healthcare.

Brushes with greatness!

I went to elementary school at P.S. 196 in Forest Hills, NY. Among my friends there was a girl named Amy Linker. A few years after we all graduated, Amy landed a co-starring role opposite Sarah Jessica Parker in a popular TV sitcom called Square Pegs.

While Amy’s show was on the air, I attended Hunter College High School in Manhattan, where among my new friends was a girl named Cynthia Nixon. Several years later, Cynthia landed a co-starring role opposite Sarah Jessica Parker in a popular TV sitcom called Sex and the City.

What does it mean? And, which of my female college classmates will be SJP’s next TV co-star?

Brush with greatness?

Just now I clicked over to see the latest on BoingBoing when I had a strange moment of small-world zen: both of the top two entries (as I write this) contain comments from former co-workers of mine. In TSA changes laws of physics, declares ice to be liquid, commenter “Lone Locust of the Apocalypse” is my friend Spencer. (I don’t think I’m outing you by saying so, Spencer.) And Original S.S. Minnow for sale has a comment from Paul Boutin, the Internet’s man-about-town and another friend of mine.