Category Archives: starwars

Nerd alert

I got this book for Christmas:

It describes the sometimes-fascinating stories behind most of the sound effects from the Star Wars films and includes a sound chip that can play them back individually.

Reading the stories and listening to the sounds last night, I ran across one that I was sure was mislabeled: “X-Wing taking off” should have been “Millennium Falcon arriving over Yavin 4.” I pointed this out to my wife and my sister, who were skeptical that I could even tell the difference. So I whipped out my laptop, cued up the scenes in question — from the copy of Star Wars that I just happened to have on my hard drive — and proved my point. As Mr. Ng said, it is the kind of success on which reputations such as mine are constructed (dubious as that reputation may be).

Music hath charms to soothe the savage Star Wars fan

[The post is participating in Edward Copeland on Film's John Williams blog-a-thon.]

One day in the summer of 1979, when I was not quite 13 years old, I opened a newspaper and learned not only that Star Wars was being re-released to theaters (ending a long drought — in those days there was no other way to see it), but that it would be preceded by a trailer for next year’s sequel, The Empire Strikes Back.

I fairly rocketed out of the bungalow, whooping and hollering, to spread the news. It was the first I’d heard that a sequel was in the works, and that the Star Wars oeuvre, which — can you imagine? — was all of two hours long,1 was about to be doubled.

The nine months between that August and the following May were the longest of my life. Beginning in February or so, desperate for crumbs — there was no TMZ or EW to keep me abreast of production news — I began cutting short my subway ride home from school each day, exiting at Woodhaven Boulevard to enter the Sam Goody music store that was there then, to see if they had the soundtrack album in stock yet. Invariably they didn’t and I’d walk the remaining mile and a half home.

…Until the day, a couple of dozen tries later, that they did have it in stock! I almost couldn’t believe it. I bought it and ran it home to play it. There, just as I expected, was the opening trumpet blast and fanfare, just as in the first movie (but was that a slight difference in instrumentation I heard? and oh! surprise! the fanfare now ends on a higher note than before). As I listened to the new but occasionally familiar music I scoured the liner notes for what information I could about the movie, which was still interminable weeks away. An asteroid field scene — cool! Jedi training! A city in the clouds! Hmm, “the effigy of Han Solo” — I didn’t like the sound of that (after I looked up the meaning of “effigy”).

The new Imperial March was impressive, of course. Princess Leia’s new theme was pretty, but it left me without the profound sense of yearning that the concert version of her original theme gave me three years earlier. Unable to visualize the on-screen action yet, I found much of the album a lot less listenable than my trusty old Star Wars LP’s, but I did play the more thrilling pieces to death — “The Asteroid Field” and “Hyperspace.”

Honestly, I don’t know if I would have made it those last few weeks before the movie’s premiere if it hadn’t been for John Williams’ music to tide me over. Now, oddly, decades later, my boys walk around the house humming the same John Williams tunes that I once did — with a few notable additions, such as his “Duel of the Fates,” a composition whose musical qualities are conspicuously out of proportion to the caliber of the movie it appears in.

But that’s always been true. The presence of a John Williams score in a bad movie can elevate it to watchability, even respectability. In a decent movie, his music is still usually the best thing about it. (I’m looking at you, Superman. And where would Close Encounters have been without him?) And even when a great movie has a John Williams score, long after one’s appetite for watching the movie has flagged, it’s the music that it’s possible to enjoy over and over without limit.

  1. Er, not including a certain very forgettable TV special. []

Forget “Han shot first,” there’s bigger fish to fry

Can it really have been more than a year since my last Star Wars-related post? Well, here’s a quickie:

In the original Star Wars, Princess Leia’s name is uttered three times: once by Governor Tarkin, once by C-3PO, and once by General Dodonna. They all pronounce it “lee-uh.”

So why is it that the whole world was saying “lay-uh” almost immediately after the film’s release, and how did that become the accepted pronunciation by the time of The Empire Strikes Back three years later?

Maybe it’s Mad magazine’s fault for calling her Princess Laidup in their parody. Maybe the fact that her last name sounds close to “orgasma” reinforces certain mental associations. Maybe Donny and Marie’s contemporaneous film, Goin’ Coconuts, had everyone thinking about Hawaiian leis.

Maybe it’s just that most people inexplicably saw the movie fewer than twenty times in 1977 and didn’t commit the entire soundtrack to memory. Well I’m not one of them, and I don’t care how many awesome “lay-uh” puns there are, I’m sticking with lee-uh.

Citizen George

Recently on the “parents” e-mail list at work, someone asked whether Hearst Castle would make a good trip for a 12-year-old, or whether they’d find it boring. Here’s what I wrote in response about how I’d make Hearst Castle interesting to a pre-teen.


Once upon a time there was a young filmmaker named George Lucas. Everyone thought he was a little weird, but one day he had a great idea. No one believed it could work, and he nearly killed himself making it a reality, but in the end he had Star Wars and he changed the world, and made himself rich.

What could he do with all his money? He could build a mecca for rebel filmmakers, that’s what, away from the suits and the beancounters of L.A. And so George began building Skywalker Ranch. But it was expensive, and he needed more money, so he hired some folks to make a new Star Wars movie. He hired some other folks to license Star Wars merchandise. And he hired still more folks to sell his splendid movie-production services to other filmmakers. He grew richer and richer, and built Skywalker Ranch bigger and bigger.

By now many years had passed. George Lucas was no longer young. His wife had left him. His friends, the other rebel filmmakers he’d hoped to bring into his fold, were scattered to the four winds, starting their own companies, making their own success. What could he do?

George could think of only one answer: get richer still. Build his empire bigger yet. He made more Star Wars movies! He took over the Presidio! He marketed cartoonish violence with no coherent story logic to young children! And he grew even more wealthy, but no less alone and unfulfilled. And he had become the very type of corporate executive whose influence he once sought to escape.

Some dark night in his cavernous mansion he will whisper the nickname of his beloved childhood hot rod, which no one will be around to hear, and expire.

William Randolph Hearst? He was the George Lucas of his day.

Update [15 June 2009]: George Lucas’ design for new building is twin of Hearst Castle centerpiece. Whoa.

The anti-Clone-Wars

My kids saw The Clone Wars when it was in theaters earlier this summer. Mercifully I didn’t have to; they went with a friend’s family. I’d seen and heard enough to know that, if the three prequel films were so bad that they made me “retroactively dislike Star Wars” (as I have been fond of hyperbolizing), The Clone Wars was so toxic it could have put me off movies altogether.

After they saw the movie we were subjected to many days of Anakin this and Count Dooku that. The occasional four- and six-year-old Yoda impressions were pretty amusing, but the rest was hard to take.

We hadn’t realized that the theatrical release was only an extended commercial for the new TV series, and we might never have found out (we don’t have cable) except that we were staying with friends in Seattle when the show premiered and the kids got a double dose of it, goosing their fervor.

But then the situation was defused by something that I wish I could say I had planned, because in hindsight it was obvious that a new batch of adventure stories with better writing and better acting and stories that actually engage the intellect would cleanse that Clone Wars garbage from my sons’ developing minds:

Classic Trek!

We’ve watched a couple of episodes a week for the past few weeks and the kids have stopped saying “roger roger” and “young Padawan.” They are now talking about “beaming down to the planet,” “repairing the anti-matter nacelles,” and “red alert, all hands to battle stations!” It warms my heart. Here is the birthday card that Jonah made for me a few days ago. It depicts the entire family in bed, watching an episode of Star Trek.

(It’s strange that he depicted an old-style aerial antenna on top of the TV. Watching all of this 1960′s programming may be affecting him in ways I hadn’t previously suspected — just like when Spock was trapped in that ice age and reverted to the primitive behavior of the Vulcans of that era!)

Film clips

[This post is participating in Culture Snob's Self-Involvement blog-a-thon.]

Culture Snob has asked for blog posts about movies that elicited very personal reactions, a subject on which I’ve written at great length here at gee bobg. I don’t have anything new to write on that subject right now (except to publicly recite my mantra for upcoming movies that look cool: “Dark Knight, please don’t suck, please don’t suck, please don’t suck”), so instead here’s a short retrospective of things I’ve said about how movies have affected my life.

To begin with, there’s Star Wars, which enveloped me in a miasma of intense fandom from age 10 to about age 20, at which point the mist began to clear and I finally started being able to think critically about it.

I had already developed the odd habit of recording, memorizing, and reciting the dialogue of miscellaneous TV shows when Star Wars came along and spurred me to perfect that strange hobby. Thanks to that (and to obsessive audio-recording of movies on HBO) I became something of an expert in verbatim, memorable movie dialogue, which contributed to the initial courting of my wife — I presented her with a transcript of The Princess Bride, written from memory, which amazed and delighted her (and which she still keeps handy) — and led me to a unique and lucrative entrepreneurial adventure.

(It was not my first movie-based entrepreneurial effort.)

Then there’s Koyaanisqatsi, the movie that was the first one I ever watched with my later-to-be-wife, and the strange way that came full circle when the aforementioned lucre ultimately got us invited to the gala premiere of the final film of the “Qatsi” trilogy.

More recently I’ve been better able to appreciate the message that some films have for parents and those facing middle age. Which is not to say I don’t sometimes return to those few films that transport me back to childhood by evoking New York the way I remember it.

The colors of Star Wars

[This post is participating in Too Many Projects' Production Design blog-a-thon.]

As I’ve written before, there were a lot of things that bothered me about The Empire Strikes Back. But I was only thirteen when I saw it, and a diehard Star Wars fan. It took years even to admit I didn’t like it much, and decades to be able to articulate my complaints. But there was one problem with it that I was able to identify immediately in the summer of 1980: the soft, pinkish light in the cockpit of the Millennium Falcon. It hadn’t looked that way in the original, where the cockpit was shades of grey and fluorescent lighting and harsh shadows.

Had Han Solo had an interior decorator revamp his ship between the two films?

I wondered why the new lighting scheme bothered me so much. It could have been simply that change is painful — after all, the Millennium Falcon was already the coolest spaceship in sci-fi history, and you don’t mess with success. But I felt there must be a more substantive reason, and as I searched for it, I slowly awoke to the importance of production design, and specifically the cleverness of the color palette in the original Star Wars.

In that film, space is black, sprinkled with white stars. Spaceships are off-white and gunmetal grey. Stormtroopers, Luke Skywalker, and Princess Leia wear white. Darth Vader wears black. The surface and buildings of Tatooine are shades of beige, bleached by the sun. Inside the Death Star: grey walls and floors, grey-uniformed officers, black prison cells.

Everything is stark. There is almost no color in Star Wars — except when lasers are firing, lightsabers are clashing, and spaceships are exploding. Then what might have been only a modestly exciting action sequence is amplified, by contrast with the rest of the film’s chromatic drabness, into literally a dazzling thrill.

In 1939, when The Wizard of Oz shifted abruptly from dreary greys into Technicolor, audiences were exhilarated. Ingeniously, the art directors of Star Wars took that one tremendous sensation, chopped it up into small doses, and meted it out to their audience in electrifying little jolts throughout the entire movie — a strategy that the designers of Empire, with its more liberal and therefore less effective use of color, unwisely chose to forgo.

What brings you here, 2007 edition

Here are some of the top queries from various search engines that resulted in hits on my blog during the past year or so, reproduced verbatim from my server logs. (Last year’s results are here.) Each related family of queries is listed with a main variant in bold and selected other variants, plus the percentage of query-hits represented by that family.

I was at first surprised to see that hits for “James Bond villains” outnumbers hits for “vampire lesbian girl scouts” (etc.) and “sex” (etc.) combined, but then realized: the percentages are a function both of the popularity of that search and of the ranking of my site in the search results. In other words, if you’re looking for anything about vampires or lesbians or sex I regret to say there are a lot of likelier websites for you to visit before mine.

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Bob Glickstein; gee bobg; “bob glickstein” +yoga; bob glickstein andrea; bob glickstein imdb; growing up Glickstein 1.4%
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Birthday invitation; neverland invitation 0.3%
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Richard S. Castellano 0.3%
Bugsy Malone/Scott Baio; coca cola jingle+you give a little love and all comes back to you 0.3%
Games magazine/Calculatrivia marathon; ken jennings calculatrivia; “games magazine” contest t-shirt 0.3%
Penis; Jonah Falcon penis; christmas penis drawing; penis peeing pictures; penis doodles; “draw a penis” 0.3%
Drawing/scribbling/doodling; kids scribbles 0.3%
Raiders of the Lost Ark; indiana jones medallion + raiders of the lost ark; indiana jones finds millenium falcon; indiana jones harrison ford sean connery 0.3%
I know it was you Fredo.; Johnny Ola Fredo; HOW DOES MICHAEL KNOW ABOUT FREDO; +”why” +michael +kill +fredo 0.3%
Federation Trading Post 0.2%
Funny epitaph; headstone humor; headstone for mom 0.2%
Batman; shark repellent spray; batman and the shark; batman robin “more toyetic” 0.2%
Handshadow; Hand-Shadow play 0.2%
Peter and the Starcatchers 0.2%
Watch neighbor undress; neighbor undress photo 0.2%
Lemon Ice King of Corona; queens ices 0.2%
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Marty Goldstein/Black Book; ‘marty goldstein’ ‘creative black book’; i remember going to the black book office zanetti 0.2%
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Fligth to Mars 0.2%
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Captain Morgan rum 0.2%
Gerald Zanetti 0.2%
Bush smile 0.2%
Salt Lake flats; nevada open salt lake 0.2%
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Koyaanisqatsi 0.2%
Katharine Hepburn 0.2%
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Rhymes with Bethany; bethany accident utah; something that rhymes with bethany; poem for bethany 0.1%
Sci-fi spaceships; cool Scifi Spaceships; most beautiful spaceships 0.1%
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Laundry; how to get quarters laundry; cold undissolved laundry soap; monopolize laundry machines; laundry pile 0.1%
Anakin/Padme; How much do Anakin’s talent, pride and ambitions affect his decisions to turn to ‘the dark side’? 0.1%
Making Mr. Right; malkovich “making mr right” 0.1%
Pop-culture grid; “the pop culture grid”+last concert you saw 0.1%
Adventurer’s Inn; toboggan adventurer’s inn 0.1%
Clemenza; young clemenza; who killed clemenza 0.1%
Glenne Headley 0.1%
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Nature of reality; 10 dimensions of reality; how to understand ten dimensional reality; three-dimensional pants 0.1%
Dunk tank; “spring carnival” dunk 0.1%
Misconstruction 0.1%
Sarah Jessica Parker; sarah jessica parker in square pegs 0.1%
Mr. Arrigo; Robert arrigo teacher 0.1%
Eli Attie 0.1%
Hog-calling time in Nebraska; What tune is hog calling time in nebraska sung to?; ORIGINS OF HOG CALLING; hog calling songs 0.1%
Eulogy for a friend 0.1%
Indiana University; indiana university hofstadter 0.1%
Cynthia Nixon; Cynthia Nixon manhattan project 0.1%
Pine Knoll Bungalow Colony; bungalow colonies in monticello 0.1%
Prison Break; prisoner 94941; michael scofield myer briggs; “prisoner number” scofield 0.1%
Winnemucca, NV; Winnemucca weekly pet friendly motels; reasons to love Winnemucca, NV 0.1%
Steve Volan 0.1%
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Mucoshave 0.1%
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Universal Hall Pass 0.1%

Lightsaber duels: who wins?

Luke: Is the dark side stronger?
Yoda: No, no.

Let’s examine the evidence, shall we? Remember: anger, fear, aggression — the dark side are they.

This chart considers duels only between Force-adept antagonists (which eliminates the battle between Obi-Wan Kenobi and General Grievous).

Star Wars
Good guy Bad guy Winner
Obi-Wan Kenobi Darth Vader The bad guy
The Empire Strikes Back
Good guy Bad guy Winner
Luke Skywalker Darth Vader The bad guy
Return of the Jedi
Good guy Bad guy Winner But
Luke Skywalker Darth Vader The good guy In a fit of rage!
The Phantom Menace
Good guy Bad guy Winner But
Qui-Gon Jinn Darth Maul Stalemate Darth Maul appeared to have the upper hand before Qui-Gon was whisked away.
Qui-Gon Jinn Darth Maul The bad guy
Obi-Wan Kenobi Darth Maul The good guy In a fit of rage!
Attack of the Clones
Good guy Bad guy Winner
Obi-Wan Kenobi, Anakin Skywalker, and Yoda Count Dooku The bad guy
Revenge of the Sith
Good guy Bad guy Winner But
Mace Windu Palpatine The good guy Not for long
Hordes of Jedi “younglings” Darth Vader The bad guy
Yoda Palpatine The bad guy Yoda would have won… if he hadn’t simply left. WTF?!
Obi-Wan Kenobi Darth Vader The good guy How good is a “good guy” who leaves his mutilated, helpless one-time friend to die in agony?

The record is not too favorable for the good guys. In fact it looks like the only good guy who wins while acting like a good guy is Mace Windu! You see, this cat Mace is a baaaad mother– Shut yo mouth! But I’m talkin’ ’bout Mace! Then we can dig it.

Happily, my son Jonah bucked the odds recently when he battled Darth Maul to a draw under the guidance of his teacher, Jedi Knight Tiere Kai, when the Sith Lord paid a surprise visit to Jedi Training Academy.

August 5th, 1977

[This post is participating in the Star Wars 30th Anniversary blog-a-thon.]

May 25th, 1977, was not an especially significant day for me. I was aware that some science fictiony thing called Star Wars had just opened, and I even saw a brief clip in the film-review segment of that evening’s news, but somehow, despite being a nerdy ten year old, the idea of seeing Star Wars held no appeal for me.

The decades of Star Wars mania that were soon to follow did such a thorough job of entombing my pre-Star Wars mentality that I can’t even construct a plausible theory to explain my disinterest, let alone remember the actual reason. A big-screen space adventure should have hit me right where I lived, and later, of course, it did, in a very big way. Could there really have been an earlier version of me that was immune to the prospect? In any event, the opening day of Star Wars came and went almost completely unremarked.

For the next many days I was subjected to my friend David‘s ravings about the film. He’d seen it on opening weekend with his dad. I regarded his lavish praise with skepticism. I knew David was also heavy into “hard SF,” to which I, a confirmed Trekkie, had not yet graduated. He had never been able to interest me in his sci-fi novelettes or his hex-grid sci-fi boardgames, which all seemed the same to me, lots of galactic-conquest-this and enslaving-races-that.


Well-thumbed

Before long, though, I could not escape the Star Wars phenomenon and decided to check out… the novel. I picked it up at the bookstore and was immediately hooked! I must have read it twice in one week and was determined to see the movie immediately. But it was too late: the summer had come and it was time to go to Monticello!

When we were in “the country” during the summer, my dad stayed in the city to work and came up to be with us on the weekends. While he was away, we were without a car. The bungalow colony where we stayed had everything we needed, so we never missed it — except that without a car, we couldn’t get to the movie theater at the Jamesway mall, where Star Wars was playing.

Each weekend that summer I pleaded with my parents to take us to see the movie, but there were always other things to do and never enough time. Meanwhile I read and re-read and re-read the book, and my parents tried to placate me with related Star Wars items like the LP of the music. Being surrounded all summer by a day camp full of kids abuzz about Star Wars, they were small comfort.

Finally, on the first Friday in August, my dad arrived from the city a little earlier than usual and announced, “Let’s go see Star Wars!” The drive from Sims Bungalow Colony to the mall could not have been more than five miles, but it seemed to take forever. Waiting for the movie to begin I fairly vibrated in my seat, possibly hyperventilating. Two hours later my parents reported, with equal measures of amusement and alarm, that they had not seen me blink once since the movie began.

I’d lost my Star Wars cherry and life was never the same. As soon as we were back in Forest Hills after the summer, I made my way to the Continental theater on Austin Street to see it again. And then again a week or two later.

By fall it was still playing, but I began to worry about the day it would disappear from the theaters. I hatched a scheme to tape-record the audio of the movie. I fit my Radio Shack cassette tape recorder inside a shoulder bag. I got fresh batteries. I got blank cassettes and took off the cellophane in advance — I didn’t want it crinkling when the time came. I put on my watch, said “Seeya tonight” to my folks, and sat through three consecutive shows of Star Wars at the Continental.

During the first show I used my watch to locate silences in the film during which I could flip or change my tape. During the second show I recorded the audio, deftly ejecting, flipping, and changing cassettes (all surreptitiously inside my shoulder bag, as I had practiced at home) at the times I’d marked down. And the third show was for — what else? — just being able to sit back and enjoy the movie.

A week later I did the exact same thing in order to have two recordings. The crappier one would serve as a backup. Of course they were both crappy, but they were good enough to listen to again and again, the way most other kids listened to their favorite records. In no time I had memorized every word, every note of music, and every sound effect. Where other kids would go around singing their favorite songs, I would recite Star Wars.

I must have driven my family and friends to distraction, but they were all very tolerant, even supportive — surprisingly so, in retrospect. I was not quite as bad as the character in Diner who compulsively quotes The Sweet Smell of Success to anyone and everyone rather than actually talk to them. But I was close. Fortunately I was still a few years away from trying to get laid.

Thirty years later I still remember the movie with near-perfect fidelity. When I read about Edward Copeland’s Star Wars blog-a-thon to commemorate the film’s 30th anniversary, I asked myself, “What can I contribute that’s more than just another reminiscence of the first time I saw Star Wars? What’s left to say that I haven’t already said?”

Then I saw Charles Ross’s One Man Star Wars show and thought, “I can do better!” That gave me my answer; and here it is. I whipped it together in a few hours with Audacity, Transcode, and a very cheap microphone. I apologize for the terrible “tape hiss” and the strange audio artifacts. I’m no sound engineer — and as this makes clear, I’m no voice actor either. I have a new appreciation for what Charles Ross does on stage — though I do think I nailed Mark Hamill’s reading of, “Are you kidding? At the rate they’re gaining?” And all of Chewbacca’s lines.

Update: I just found this online: the General Cinema feature-presentation “snipe,” which preceded my first viewing of Star Wars at the Monticello Twin Cinema. As far as I know, I only saw this “snipe” that one time, but its jazzy tune was seared into my memory and I’ve been humming it from time to time ever since. God, I love the Internet.

Update 2: The YouTube copy of the General Cinema snipe is gone but can still be found here.